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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Stardom: The road to heaven

Vinta Nanda writes about two strugglers – their personal experiences that explain how it works for aspirants before they...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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Lekh Tandon’s last film on Triple Talak at Berlin Film Festival

January 31 2018, Mumbai: Filmmaker Lekh Tandon’s last directorial venture ‘Phir Usi Mod Par’ based o...

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Embrace new media to fight stereotypes in Films and Television

The KASHISH Arts Foundation that organizes South Asia's biggest LGBTQ film festival - KASHISH Mumbai International Queer Film Festival - hel...

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Shashi Kapoor - The Actor Without Airs Is No More

Shashi Kapoor, born as Balbir Prithviraj Kapoor, who was adored as the Adonis of Hindi Cinema and hailed as an actor with a global appeal of his own is no more. The embodim...

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Pyaasa – Guru Dutt’s Cult Classic Becomes The Only Indian Restored Film For World Premiere At The 72nd Venice Film Festival In September 2015 In The Competition Section (E)

“Pyaasa” – A timeless masterpiece by Guru Dutt becomes the only Indian film restored by an Indian company for a world premiere in the competition section ...

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True Review TV - A CREATIVE CHALLENGE

With the Sony Network and Hathway face off, avid viewers of Sony?s Reporters, Dil Ki Baatein Dil Hi Jaane and Itna Karo Na Mujhe Pyar and SAB TV?s Taarak Mehta Ka Ooltah Ch...

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